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Techniques

Push-in (dolly in)

AI-generated reference clip

Push-in (dolly in)

Dolly inPushTrack in

The whole camera travels toward the subject, so the frame tightens while foreground and background shift in parallax.

Camera Movement · Medium
NarrativeHow it worksWhen to useYour kitCompared withIn filmMistakesDrill

Narrative

Emphasis and intimacy: "this matters, listen". The most useful emotional move in interviews.

How it works

1Choose the END frame first, then pull back to the start.
2Hold, then push SLOWLY: think 30 cm over 10 seconds for interviews.
3Hold the final frame 2–3 s.

When to use

Corporate / interview
Slow push on the B-cam during the key answer.
Wedding
Push toward the couple during the vows.
Product
Push onto the product hero shot.

Your kit

No slider? Use the workaround below.
Best option
Slider pointed straight at the subject: perfectly smooth.
Gimbal with a slow ninja walk.
Handheld with SmallRig handle + Active SteadyShot, very short moves only.

A7 V + 24-70 settings

Wider (24–35mm) exaggerates the move; 70mm makes it subtle.
Face/eye AF on, so focus follows as distance changes.

Compared with

Dolly zoom (Vertigo)
A dolly zoom combines travel with an opposite zoom to warp the background.
Pull-out (dolly out)
The opposite move: reveals context instead of closing in.

In film

Close Encounters of the Third Kind (1977): Spielberg pushes in on faces at the moment of realisation.

Mistakes

Pushing too fast: it looks like a mistake, not a choice.
Pushing on every shot: save it for moments that matter.

Drill

Slider push-in on a friend telling a story. Do 3 speeds and compare which feels best.

Related techniques

Pull-out (dolly out)
Dolly zoom (Vertigo)
Parallax